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《阿里与艾娃》剧情介绍

《阿里与艾娃》是由阿迪勒·阿赫塔尔,克莱尔·拉什布鲁克,梅西·夏克敦,肖恩·托马斯,Thomas Skelly,Isaac Gale,Travis Liversidge,Elliott Liversidge,埃洛拉·托尔基亚,Vinny Dhillon,Runa Begum,Ryan Hall,Barnabás Bodor,Ariana Bodorová,Fatima Bodorová,Sarlota Nagyová,Barnabás Nagy,Shazia Bibi,Claudia Dinova,Siraj Hussai 执导,克里欧·巴纳德主演的一部超级经典的爱情片,剧情 爱情 片,影片讲述了:

  Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.  A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?  Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.…

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用户对《阿里与艾娃》评论

  • M_:志丹县
    阿里与艾娃中OS1的性爱场景,暴露后人类亲密关系的接口困境。萨曼莎的算法呻吟,实为对笛卡尔身心二元论的赛博格式嘲弄。
  • IMAX散光:友谊县
    阿里与艾娃的暴雨倒灌场景,暗合鲍曼的液态恐惧理论。半地下室涌出的黑水,实为韩国新自由主义社会分层的流体力学模型。 
  • 转场眩晕症:木兰县
    文化符号堆砌过度,核心表达失焦

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